Eyes that last I saw in tears
Eyes that last I saw in tears
Through division
Here in death's dream kingdom
The golden vision reappears
I see the eyes but not the tears
This is my affliction
This is my affliction
Eyes I shall not see again
Eyes of decision
Eyes I shall not see unless
At the door of death's other kingdom
Where, as in this,
The eyes outlast a little while
A little while outlast the tears
And hold us in derision.
- T.S. Eliot
I only recently (and quite belatedly) stumbled across the Pierian Recording Society's realization of Alexander Scriabin's pianism as reproduced through piano rolls that he made in Moscow in 1910. Beyond being astounded by his rubato, I was struck by how jazzy his interpretation was - it sounds less like a mazurka and more like a foreshadowing of Bill Evans and Herbie Hancock.
As a means of comparison, here is Vladimir Sofronitsky performing Op. 40 No. 2:
And Scriabin's version:
Should you be lucky enough to find yourself in Malaga in the next few days, I encourage you to visit Unesco's International Council of Dance exhibit at the Teatro Cervantes. Daniel Santo, a brilliant artist (and the designer of this site), will be showcasing his works during the three day festival. More information can be found here.
The bad news: Newspapers around the country are slowly phasing out their crosswords.
Peter Gordon, formerly the crossword editor for The New York Sun, has been trying to revive its crossword on his site, Suncrosswords.com. To make the site financially viable, Mr. Gordon said he needs to find 1,776 people — a consciously patriotic goal — willing to pay 20 cents a puzzle. So far he has about 500. ("No Puzzle in the Paper? I'm Blank!" NY Times, 8/10/09)
Among aficionados, his crossword has been sorely missed and I'm crossing my fingers that the recent spate of publicity will go down well and get Gordon across the finish line.
Although it won't be available in stores until August, polka supergroup Polkastra's debut CD Apolkalypse Now! is currently available through iTunes. It's a fantastic recording by some of the best musicians (and goofiest people) that I know.
